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Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Jakob Philipp Hackert
The Waterfalls at Terni

ID: 82269

Jakob Philipp Hackert The Waterfalls at Terni
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Jakob Philipp Hackert The Waterfalls at Terni


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Jakob Philipp Hackert

German 1737-1807 Jakob Philipp Hackert Gallery   Related Paintings of Jakob Philipp Hackert :. | The Waterfalls at Terni | Autumn | Portrait of Charles III Philip | Der Herbst: Weinlese und Blick auf Sorrent den Golf und die Inseln | The Excavations of Pompeii |
Related Artists:
Edmund Charles Tarbell
American Impressionist Painter, 1862-1938 American painter, illustrator and teacher. He attended drawing lessons at the Normal Art School, Boston, MA, and art classes with W. A. G. Claus. From 1877 to 1880 he was apprenticed to a lithographic company in Boston. In 1879 Tarbell entered the School of the Boston Museum of Fine Arts, where he was a pupil of Otto Grundmann (1844-90), a former student of Baron Hendrik Leys in Antwerp. In 1883 Tarbell left for Paris with his fellow student Frank W. Benson. Both Tarbell and Benson attended the Acad?mie Julian, where they studied with Gustave Boulanger and Jules Lefebvre. They travelled to Italy in 1884 and to Italy, Belgium, Germany and Brittany the following year. Tarbell returned to Boston in 1886. Initially after his return, Tarbell made a living from magazine illustration, teaching privately and painting portraits. In 1889 Tarbell and Benson took Grundmann's place at the Museum School.
BORGOGNONE, Ambrogio
Italian painter, Milanese school (b. ca. 1453, Fossano, d.1523).
Aert de Gelder
Dutch 1645-1727 Dutch painter and draughtsman. He was the son of a wealthy Dordrecht family and probably became a pupil of Samuel van Hoogstraten in 1660. Apparently on the advice of van Hoogstraten, de Gelder moved to Amsterdam and entered Rembrandt workshop, possibly c. 1661. It is commonly assumed that he stayed there about two years. He was Rembrandt last pupil. After completing his apprenticeship, de Gelder returned to Dordrecht, where he worked for the rest of his long career. Considering that de Gelder was active for more than half a century, his output of just over 100 paintings seems low, probably because he was financially independent. Of those paintings accepted as by him, only 22 are dated, creating considerable problems in establishing a chronology.






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